Avnish Kiri (Avtex) is a Techno and Drum 'n' Bass DJ. Av's fascination with music technology began early when at the age of six he used to play with his dad's phono turntable, scratching back and forth a copy of Pink Floyd's Dark Side Of The Moon, experimenting with the different sounds.
Read More...Dev has been Djing since early 2007 when good friend JP got decks. Dev started on drum & bass & in late 07 found the holy sounds of dubstep when 'Rohith John D'souza' handed him a copy of Skreams album 'Skream!' & after that it was up from there!
Read More...Harry's first public set was in June 08, at The Fleece in Chelmsford, since then he has gone on to play such nights as Esser's Midnight Moonstomp, Black Hole III and Black Hole IV, alongside Herve, a Dj that Harry had been inspired by when first DJing.
Read More...Having spent years wanting to get into DJing but never having the money to make it possible Jay finally decided to sacrifice other pursuits in late 2007 and purchased his first set of decks. Since then Jay has relocated from Essex to London to concentrate on work and music and has discovered the type of music he now conciders his passion....Techno! Read More...
In early 2008 JP began dj'ing around Essex in London in venues such as Scala and the Royal and dj'ing alongside Dj's such as Busy P, Brandon Block. Jp is currently mixing baseline house and techno. Jp is been involved with the black hole nights in Chelmsford which has proven to be the biggest nights in Essex.
Read More...Hume spent the summer of '08 in Ibiza and was lucky enough to play at The Zoo Project, one of the island's sickest parties. He took great enjoyment from the variety of music he was able to absorb whilst taking onboard some of the promoting and organization skills on display.
Read More...James Smith is a Minimal Dub producer and a Techno DJ for Lost Souls and DJ collective 'The Chelmsford Ravers'. London raised, he was inspired by artists such as Caliber, Klute and Amit, and developed a passion for Drum and bass.
Read More...As the electro scene began to deteriorate as a victim of its own success, his ears had already began moving to a more minimal sound, and it was when he was taken to Londons infamous Bogged-Out daytime party that he cemented his passion for pulsating minimal techno.
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